Is Eeyore literature's archetypal outsider? And why do we love him so? The Guardian writes:
I think it's partly because, as well as being the most depressing individual in the Pooh books, he is also the funniest. Melancholy often teeters on the brink of absurdity, and Eeyore regularly falls over the edge. Take the classic scene in The House at Pooh Corner when Eeyore tumbles into the stream after the irrepressible Tigger bounces up behind him and takes him by surprise. The image of Eeyore, floating around in circles with his feet in the air, trying to maintain his sombre demeanour, is desperately funny and sad.
And then there's his truly glorious sarcasm (of which there are too many instances to catalogue here), whose hilarity is heightened further by the way that it sails straight over the other characters' heads.
But the key thing that makes Eeyore a great character is that essential literary ingredient: conflict. Eeyore is profoundly conflicted. He craves love – indeed, he's always lamenting his outsider status – but he struggles to give and receive it. When it's offered to him, he puts out his hoof and waves it away. There are many occasions when Pooh and Piglet, who love Eeyore unconditionally, pay him a visit only to be greeted with a barrage of sarcasm. Nowhere is this more poignantly displayed than the scene in The House at Pooh Corner where Piglet realises that Eeyore has never had a bunch of violets picked for him. When he finds Eeyore to deliver the bunch, however, he gets shooed away. "Tomorrow," says Eeyore. "Or the next day."
No comments:
Post a Comment